Do you consider Antonín Dvořák’s “New World” Symphony an “American” work? Why or why not?

Question description

How do you interpret Antonín Dvořák’s subtitle “From the New World”? Do you consider his “New World” Symphony an “American” work? Why or why not? How do symphonies such as this work exemplify aspects of exoticism and nationalism? Can you think of other examples of inspired work that has found a place in the social expected canon of “great” and “representative” music?

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